In his project, Amiryan offers a visual narrative sketch dedicated to the building of the former NKVD in Almaty as an architectural artifact, where the common memory of the city's tragic past is concentrated. The main problem, to which the author of the book returns, is the formation of a museum in an era when museums are progressively losing their connection with real life, becoming a warehouse storage or an attraction for tourists. In parallel, we are faced with the issue of memory, which, on the one hand, lends itself to natural destruction and oblivion; on the other hand, it is regularly traumatized due to the lack of proper ways of articulating a private or shared past.